Top Ten Favorite Films Of 2016 So Far
We’ve
reached the halfway point in this year and that means taking some stock of what
I have appreciated most, as far as the movies go. Clearly there is much more to
come and various opinions can take on new levels of appreciation or the other
way around, but I enjoyed coming up with this list. There’s also the fact that
I haven’t gotten to see everything I’ve wanted to, which will hopefully change.
Still, this list puts emphasis on what I’ve liked seeing, which are the deeper
conversations that come from seeing retro-styled attempts at genre films,
interesting social commentary, and good-natured fun in general.
The Top Ten:
Fittingly
enough at number ten, 10 Cloverfield Lane
finds itself on this list, as it delivers on its simple, yet mysterious story
to great effect. Its ambitious nature (arriving out of nowhere and being a Cloverfield spin-off) and efficient
direction from Dan Trachtenberg make this an engaging film to watch, with some
killer sound design easily making it a great one to hear. Mary Elizabeth Winstead
is solid as the unknowning, but take-charge lead, however, John Goodman gives
one of his career-bests as the unstable Howard. Some may have been thrown off
by the direction the film takes in the end, but I was a fan all the way through
with this one.
Richard
Linklater follows up his acclaimed Boyhood
with a film deceptively slight by comparison. Everybody Wants Some!! works as a spiritual sequel to both that
film and, more clearly, Dazed &
Confused, which means we spend less time on plot and more time hanging out
with the characters. These characters happen to be a bunch of jock dudes, but
the film wisely balances their goofball behavior with more insightful moments
that feel like a signature element for Linklater. Along with a killer early 80s
soundtrack, there are plenty of laughs and fun with this one.
8. Green
Room
Jeremy
Saulnier brought us Blue Ruin a
couple years ago and he has given us another killer thriller in the form of Green Room. It pits punk rockers against
murderous skinheads, headed by Professor X himself, Sir Patrick Stewart. Plenty
of inventiveness and a very dark sense of humor make this a fine film to
appreciate for how it puts characters into an impossible situation and gets
them to somehow solve it. They solve it in a violent manner for sure, but its
handled with the right kind of grimy finesse.
I
believe I admire this film more than I like it due to plot contrivances and
some questionable logic, but Eye in the
Sky still does better by asking tough questions than many other films that
also deal with drone warfare. Gavin Hood has constructed a tense-thriller that
only has so many ways it can go, but plays well with the players involved. Alan
Rickman (in his final live-action performance) and Helen Mirren are just some
of the pros involved with this story that spends its time weighing a situation
where many lives can be saved at the cost of a few.
6. Sing Street
John
Carney moves away from his previous star-studded film, Begin Again, and takes things back to a smaller level like Once with Sing Street. Hands down some of the most fun you can have with an
indie film fit for anyone this year, Sing
Street has an incredibly likable cast, great original songs and a sweet
story that easily allows audiences to cheer.
5. The Lobster
On
the other end of the spectrum is The
Lobster, a pitch black comedy from Yorgos Lanthimos, director of the
Oscar-nominated Dogtooth. The
outlandish premise involves finding love or being turned into an animal of your
choice, but that’s just the beginning. Colin Farrell leads a strong cast in a
movie that celebrates its weirdness and provides some interesting commentary on
societal expectations of relationships as well.
Leave
it to Shane Black to deliver a wonderful buddy-comedy that receives great
reviews, only for the film to make almost no impact at the box office. This
neo-noir tells a fun story that is largely character-focused. Ryan Gosling and
Russell Crowe make for a great team, with fine support coming in the form of
its colorful cast and sparkling dialogue.
Taika
Waititi made one of the funniest films of 2015 with What We Do in the Shadows and he has followed that up with a
sweet-natured story that pairs Sam Neill with a much younger actor (Julian
Dennison) to be grumpy towards, as the two go on the run in the New Zealand
forests. Great use of scenery, a well-handled relationship and some great
comedic antics make this one of the highlights of the year.
Jeff
Nichols scores again with this Spielberg-influenced science fiction story that
never strays from the Southern style Nichols has utilized for his other films,
including Mud and Take Shelter. His idea was to have a
couple guys traveling for mysterious reasons only at night, with no headlights
on and it cleverly evolved into a father-son story with stakes matching Close Encounters of the Third Kind.
There’s a great story here that is stripped down to the essentials, with no
room for exposition. This is just a low-key affair that occasional cuts loose
with some standout sequences and strong performances.
1. Zootopia
Amazingly
it is Disney that has delivered my favorite film of the year so far. Zootopia, one of the biggest ‘not based
on anything films’ ever made tells a neo-noir story blended with great
animation, hilarious comedy and commentary on the racial politics of today.
That is not at all what I expected, but it worked out well for both the Mouse
House and me. It has all the complications you would want to better enhance the
experience of a colorful family comedy. It’s a great film and the one I’ll
happily champion the most, given how far we are in the year at this point.
Honorable Mentions: Captain
America: Civil War, The
Invitation, The Witch,
Hail, Caesar!
And The Worst:
There
is not much honor that comes with having this status, but there have been a
number of bad films this year and these stand out as the worst I had to endure
so far this year.
4. Ride Along 2
There
is still plenty to look forward to, as the year continues on. The summer movie
season is still upon us, with films like
Suicide Squad, Jason Bourne and Kubo
and the Two Strings, among others holding my interest. The fall should
also be interesting with Snowden, Sully, The Birth of a Nation
and A
Monster Calls being among the bigger films I want to see. And there’s Rogue
One to finish off the year. And all this says nothing of the smaller
films bound to wind up as some of my favorites of the year. We’ll just have to
wait and see how it all plays out.
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