‘Focus’ In And Enjoy (Movie Review)
Focus:
4 out of 5
Nicky:
Attention is like a spotlight and it is our job to dance in the darkness.
Focus
is
solid entertainment that puts its audience back into the world of con artists,
as there have been many of its kind before.
It is an easy way to have people both root for the leads, while also
feeling intrigued by the sort of shadowy world they live in, but generally
remains exciting due to these sorts of characters masquerading in lavish
settings. First and foremost though,
Will Smith is back! Regardless of one
thoughts on Smith, he is one of the most charismatic actors in the world and
while his leading roles have been fewer and further in between as of late, Focus is a film that does a fine job of
both showing how effective of a performer he can be and how he has evolved for
the better as an actor over time. While
there are plenty of other aspects of this film one can focus on, it really is
nice to say that Focus is sharp and
good-looking film, with a very good leading performance from the always
watchable Will Smith.
As far as the story
goes, the thing about movies centered on con artists is you basically have to
accept that you are being set up in some way.
It would not be a spoiler to say that there is some kind of twist in
this movie, but writers/directors Glenn Ficarra and John Requa are very aware
of how adult audiences, which this film is intended for, must know that they
are in for some kind of ride that wants to trick them in some way. All of that is to say that I enjoyed the ride,
as the story is clever enough to sustain itself, without allowing me figure all
of it out, but not be bored when I figured some of it out either. Will Smith plays a conman, Nicky, who is very
good at what he does. He takes a young protégé,
Jess (Margot Robbie), under his wing and falls for her. There is some shiftiness in how and when we
find these characters meeting up with each other, but the important thing
becomes whether or not either of these two can trust each other, as they deal
with a current scam that one (or both) of them may be pulling on a rich mark,
Garriga (Rodrigo Santoro).
Leave it to Will Smith
to find a way to involve himself in dramas that find new ways to tackle
familiar subject matter. One can look
back at Seven Pounds or The Pursuit of Happyness (among the many
varied films he has led to success in the past two decades) and see the clichés,
but regardless of the quality of those films (I happen to like them both to
varying degrees), they have things I have not seen before. Focus
is like that as well. It has a lot of
the standard tropes one would find in movies about deception, heists, and the
art of the con, but it does a lot to allow you to have fun in this world
anyway, with various twists and turns along the way to help the film stand
out. No, this is still not the most
original film out there, but it is an R-rated, adult drama that keeps the
characters upfront, with little regard as far as creating some sort of
franchise or nodding to some original version of this story, which does not
exist in this film’s case. I like that. I like that we have a new original film,
utilizing some old school tricks and featuring a movie star (playing a regular
guy) as its main draw. There are some
complexities to the plot, but it is simple stuff when you get right down to it.
A lot of the joy comes
not only from Will Smith, but the chemistry between him and Margot Robbie. These two work very well together. There are other cast members having fun as
well, including an entertaining Adrian Martinez, a grumpy Gerald McRaney, and a
terrifically over-the-top BD Wong, but the film keeps Smith and Robbie’s
relationship front and center and these two work. Yes, Margot Robbie is much younger than Smith
and fairly new to the big screen (though I found her to be terrific at holding
her own against DiCaprio in The Wolf of Wall
Street), but it ends up mattering little, as far as I was concerned,
because I liked watching these two play off each other.
Additionally, this film
is gorgeous. Will Smith uttered the
phrase, “Don’t hate the player, hate the game,” in the indelible Bad Boys II, when
questioned about his exquisite fashion choices, despite being a police
detective. Focus very much adherers to this logic, as there are only so many
characters and they are not the deepest of individuals, but everyone looks
great and the settings (New Orleans and Buenos Aires) are lovingly captured by
cinematographer Xavier Perez Grobet.
This aspect is best reflected in the way we watch the con artists
work. Lots of fast cuts and nifty scenes
of pickpocketing abound, as Smith and Robbie go over the ins and outs of the
game and have fun while doing it.
Really, it is not about how well fleshed out these people are (and to be
honest, their characterizations deserve more credit), but how well utilized
they are in terms of what the films wants us to see.
Focus
is not a deep characters study, but it is about the characters and letting us
have fun with them in this con artist environment. The script is smart, sharp, and well thought
out. Ficarra and Requa (who made the
wonderful, but underseen, I Love You
Phillip Morris) treat the audience with a level of respect, as they
understand how well we should know this kind of story, yet still have ways of
keeping it engaging and surprising. Much
of that comes down to Smith, who is not the reason this whole thing holds
together, but is in top form, as far as utilizing both his charisma and his
abilities as a performer. It is because
of this that I am happy to see a return such a fine return of the Fresh Prince
to the top and happily await what he has in store for us next.
Nicky:
That’s what you get when you hire a conman.
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