‘Ouija’: Board To Death (Movie Review)
Elaine:
I’m just not ready to let her go.
So Ouija is a total bust. Not
that I expected much from a horror film based on the spooky toy, once
mass-marketed by Parker Brothers, but it amounts to nothing all that special or
entertaining, just laughably dull.
Something interesting to note is how so many old slasher films and even
the recent Saw franchise, among other
horror franchises, end up receiving similar bad review scores, but will go on
to be remembered by cult audiences. No
one will remember Ouija. That is the kind of movie it is. This is a
thing that will come and go. It may have
allowed work for some young actors and a decent job for the filmmakers involved,
but that’s about it. Good on them for
getting the film done, but yeah, it’s just a silly horror movie.
Set in Anywheresville,
USA, the film features close teenage friends dealing with the death of their
friend Debbie (Shelley Hennig). It would
appear that Debbie committed suicide, but her best friend Elaine (Olivia Cooke,
fresh off her other bad horror film from earlier this year, The Quiet Ones) believes something much
worse is at play. You see, Elaine and
Debbie used to play with a Ouija Board, when they were kids, and Elaine
discovers one in Debbie’s room, which leads her to believing she may be able to
get her friends together and channel Debbie to find out what really happened. Guess what?
Elaine and her friends get more than what they bargained for.
Ouija
has lots of problems, but the biggest issue has to be all its gaping plot
holes. It makes it all the more
hilarious that this is a film based around a board game that has rules, yet the
film decides not to really follow through on any of them. Characters say some things, but proceed to
make other choices, generally spelling doom for them. Ghosts are seemingly bound by something, but
then proceed to move out of those bounds.
Even the attempts of survival prove to be futile, as this movie does not
care about giving these characters any chance to actually live, which
ultimately lessons the stakes, given that outcomes are basically inevitable.
This has nothing to do
strength of the actors involved or even expectations of a stronger script. Even badly written movies know how to keep
their own established rules in mind, Ouija
just feels like a lazy effort to make a ‘dead teenager movie’. Add to that all the jump scares, which do
nothing but ensure that date nights for couples seeing Ouija will lead to the tight clutching of arms every now and again,
and horror fans know what movie they are getting, which is unsatisfying and
dull to the point of being unintentionally hilarious.
That was really the
biggest take away: the laughs I ended up
having. If there is something I may
remember about Ouija, it is how I
eventually stopped caring about how bad it was and started grinning at how bad
it really was. Characters make really
bad decisions, leading to lots of audience groans – hilarious. Genre film fan favorite Lin Shaye pops in to
chew on scenery – laugh worthy. The cast
delivers ambivalent reactionary dialogue surrounding the deaths of friends – hysterical. The decision to make a ghost confined the strength
of a Ouija Board in a pivotal moment – worthy of a bow. If only a film like this had a self-aware
spirit, maybe then there would be something to actually appreciate.
I have not even
mentioned the way the violence is handled in this PG-13 horror film. Not that the rating makes much of a
difference to me, if the film is effective in what it is doing, but Blumhouse
Productions and Platinum Dunes have gotten a lot of mileage out of the types of
films they have put together (Sinister,
The Conjuring), and if they are not getting more talented players like
James Wan to put together another Insidious
(also PG-13, but also scary), resting on jump scares and sharp soundtrack
chords is not nearly enough to make something like Ouija work. Sometimes it is
easy just to go with the simple reaction to a film and with that in mind, Ouija is lame.
Pete:
I don’t think this is a good idea.
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