Received Lightweight Entertainment From ‘The Giver’ (Movie Review)
The
Giver: Simply stated, although it's not
really simple at all, my job is to transmit to you all the memories I have
within me. Memories of the past.
The
Giver is the story of a young hero living in a futuristic
society where a governing system has seemingly made everything perfect and free
of chaos, with ruminating thoughts on possible corruption lurking just beneath
the surface. This seems like an
interesting idea, were one not to realize how often it seems to come
about. These past few years have already
given us films like Divergent and The Hunger Games, and while The Giver is also a popular book now
adapted into a feature film, it seems to have come at a time where we did not
really need it. It is not because the
book did not deserve the film treatment, but more due to how relatively slight
it feels by comparison. Like it or not,
a film like The Hunger Games succeeds
for numerous reasons, such as its scope, the actors involved, and cultural
relevance at the time. While The Giver has aspects that keep it from
being a poor film, it unfortunately feels like it missed its opportunity to be
a bigger deal.
It is fortunate that a
lot of the right elements were brought together to make a film like this
interesting to watch. Given the relative
inexpensive nature of this film versus others that have money thrown at them, I
did enjoy the approach that director Phillip Noyce went to in developing the
world that these characters live in.
Having Jeff Bridges and Meryl Streep in key roles certainly does not
harm the film either, as they put the effort into it. Bridges, in particular, has been championing
the making of this film for years and it does not go unnoticed that he seems to
be completely on board with inhabiting his character of The Giver.
With this in mind, the
story centers on Jonas (Brenton Thwaites), a young man that has been selected
to be the Receiver of Memory. Jonas
lives in a futuristic world where there is no more conflict, racism, or
sickness. It is a limited community,
based on what we see, but the idea is that the people of this world have moved
away from the horrible aspects of the past and are now living in a realm of ‘sameness’. For Jonas, being selected means teaming up
with Bridges’ Giver character to have the memories of the past transferred to
him. Of course, in gaining these
memories, Jonas begins to experience new discoveries as well as have reason to
doubt the ways of his current society.
I like Thwaites in this
role (and would recommend seeing his work in The Signal). There is an
argument that his character may come off as generic, but I feel the balance
between creating a hero character like this that was also once a human robot,
living by the established rules of his society can be tricky to pull off, but
he accomplishes this well. He has plenty
to do in this film, as it is told from his perspective and he has lots of
ground to literally cover by the time the film ends. The cast in general, beyond the three actors
I have mentioned do what they need to.
Most effective is Alexander Skarsgard as Jonas’ father, with a key scene
that shows just how effective an actor can be portraying a character completely
following the rules of this society. For
a film that features characters that are relatively emotionless, Skarsgard was
involved in some key weighty moments.
Similar to many of
these films that rely on building a future world based around specific rules
(cult favorite Equilibrium
immediately comes to mind), there are obvious logic issues to consider and
while The Giver can be scrutinized
for how this world functions on a realistic level, I thought enough was done to
keep my mind off of these things, while watching the film. After the fact is a different story, but then
it comes down to what I took away from the film as a whole. Would I rather think about the lack of
explanation for how The Giver’s powers to transfer memories work, or do I want
to focus on the implications seen in a story like this? I could also focus on the set design and use
of color, which I found to be fairly well-handled. For a lower budget film like this, there was
a solid effort made to do what was necessary to make the world seem functional,
which I appreciated, while also doing a decent job conveying something such as
how the people in this society do not recognize color.
Getting back to what
the nature of the story reflects, a reason why The Giver only measures up so well is due to how plain it ends up
feeling. Production-wise, Noyce and his
crew have done a fine job, given their limited resources, but fine cast and use
of areas in South Africa for filming.
However, aside from the obvious joy many will have in seeing this book
brought to life, there is not a whole lot to make The Giver stand out. It is
certainly better than many of the films that have been cut from the same cloth,
ever since Harry Potter and Lord of the Rings opened the floodgates
for YA novel adaptations, but it has ended up feeling like a drop in a bucket,
rather than something more substantial.
It is a shame, but that seems to be how it is.
Attempts were clearly
made to spice up the story. While The Giver is far from being an action
film, there is an attempt to push some more adventurous elements, be it the way
we see the memories being transferred or what takes place in the third act of
the film, but you can only do so much with this kind of story. That said, the film is not boring, but it
does not have a whole lot of places to go, when you really look at the arc of
the film. The Giver lasting only 90 minutes is pretty good indication of this
fact, but it is a nice change from seeing a 2 and a half hour novel with too
many loose ends to make for a decent wrap up, as opposed to a big setup for the
next installment. Moreover, in a world
where all out action finales are constantly featured in these adaptations, it
is refreshing to see the way The Giver played
out in the end.
I may not be in love
with this movie nor do I feel it really added much to the film world, but I can
say I found it confidently made, well-acted, and far better than what I
expected. I may not have much of a
connection to the original novel, but at least its fans now have something they
can latch onto, even while I am left curious as to what they think of this end
product. That The Giver runs into problems surrounding its relevance over its
quality is unfortunate, but it at least finds a way to be sufficiently
entertaining.
The
Giver: Our people made that choice, the choice to go to Sameness.
Aaron
is a writer/reviewer for WhySoBlu.com.
Follow him on Twitter @AaronsPS4.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
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