7 Years Later, Witness ‘300’ Rise Again (Movie Review)
Queen
Gorgo: It begins as a whisper... a
promise... the lightest of breezes dances above the death cries of 300 men.
That breeze became a wind. A wind that my brothers have sacrificed. A wind of
freedom... a wind of justice... a wind of vengeance.
300
is not a film many would have watched in its original release and thought it
could use a sequel. Back in March of
2007, director Zack Snyder impressed audiences with his stylized cinematic
vision of Frank Miller’s graphic novel, which was a fictionalized retelling of
the Battle of Thermopylae. 300 was fairly straightforward, but its
visual aesthetic paved the way for other films and television series like
it. Having been a large fan of 300, the idea of a sequel, especially
one that took its time in getting to theaters, was not exactly a film piquing my
interest. Despite the elements of history
that could be creatively portrayed within this same graphic novel universe, I
was not sure what a studio was willing to do with a follow up inspired by
profits form the first. To my surprise, 300: Rise of an Empire manages to
deliver the familiar spectacle, while adding a more complicated story and an
excitingly ferocious villain as well.
I had heard all sorts
of stories surrounding what the concept for this film was supposed to be in the
lead up to its release. The results are
actually quite clever, in terms of how this film functions as a sequel. It finds a way to be a prequel, a parallel story
to the original film, and a follow up to those events, all rolled into
one. We are reintroduced to Xerxes
(Rodrigo Santoro), who is given a backstory that explains how he became the
so-called ‘god-king’. The focus then mainly
falls on two other characters. One is Themistocles
(Sullivan Stapleton), who guided the naval efforts for Greece, which was in progress
at the same time as King Leonidas and his Spartans made their attempt to fight
off the Persian forces. Opposing
Themistocles is Artemisia (Eva Green), the only female naval commander, with
enough skill and wit to match her crazed intensity. The bulk of this story focuses on how these
two tacticians attempted to outmatch each other, with very bloody results.
While 300 was a story being narrated as a way
to rally the troops together, ‘Rise of an
Empire’ is more or less an oral history lesson, which still allows for a
way to accept the over-the-top stylization of the action elements, among other
aspects. It is basically a fun way for
the film to cheat its way out of having to follow real-world logic, in favor of
being a highly sensationalized cinematic event, regardless of how familiar
these sorts of visuals may seem now.
With that said, director Noam Murro easily fills the shoes of Zack
Snyder, who co-wrote the screenplay, but only serves as a producer this time
around. The style found in 300 is very evident here, with the use
of slow motion and speed ramps constantly being employed during the action, but
the inclusion of naval warfare certainly adds a whole new dynamic to how this
film works as a cool-looking action flick.
In the first film, the Spartans
mainly dealt with the Persian armies in one key location. The men fighting the battles this time around
are given ships to fight aboard, which leads to a larger variety of action to
be seen, given the evolving battlegrounds.
Sure, blood is still spilled due to sword fights, arrows, and spears
being thrown, but the setting allows the film to expand beyond what the first
film had to offer, instead of looking like a knock off. If anything, while 300 had some iconic aspects to it, given that it came first and the
fact that Spartan soldiers were basically portrayed as being proud no matter
what, so they would naturally lend themselves to having memorable lines; ‘Rise of an Empire’ does actually feel
like a grander film experience, given the higher amount of complexity in the
story and the notion of uniting Greece in an effort to fight back.
In guiding the Greeks,
Sullivan Stapleton does not quite have the natural charisma that Gerard Butler
was able to bring to the role of Leonidas, yet Themistocles is an inherently
more interesting character, given how he must consider more than just fighting
till death, while keeping respect and honor intact. He and his men are not Spartans and while
this film is still glorifying one side over the other, it recognizes that they
are not invincible and are comprised of simple men, not soldiers or sailors,
who have been recruited for battle.
As far as the acting
goes, however, this film truly belongs to Eva Green. As Artemisia, Green allows no one to look
more intimidating, whenever she is on the screen. While just as skilled as Themistocles,
Artemisia has the kind of conviction that an actress really has to sink her
teeth into, in order to properly bring out the crazy glee that it allows for
and Green is very much up to that task.
It is a performance that is practically worth the price of admission,
but the film still has so much to offer visually.
I really should
emphasize how much of a feast for the eyes this film really is. Getting away from what I appreciated about
the narrative and some of these characters, 300:
Rise of an Empire gets a lot of mileage out of the world it exists in. The sets and costumes are gorgeous. The blending of CG and practical effects makes
for some impressive battle sequences. A
number of long takes allow the film to really cash in on the gorgeously graphic
bloodshed fit for a film rooted in visualizations taken from a comic book. The use of 3D actually adds to the
experience, given how immersive the film becomes, while the viewer is basically
on the verge of choking, given the constant embers and ash seen floating all
around. All of this is aided further by
the thumping score by Junkie XL.
300:
Rise of an Empire makes good on what it promises and adds
even more for those who think they may have seen everything the 300 world could offer, and I am not just
talking about the hilariously aggressive sex scene, featuring Eva Green’s intensely
eccentric character. The film may screw
around with the true historic events that took place, in favor of providing
R-rated comic book entertainment, but attempts are still made to create a
narrative with more going on than its predecessor. The action overcomes the weight of delivering
more of what people have already scene in between this film and the original,
with its naval combat additions; the Production design is excellent; and the
splashy visual aesthetic continues to please.
An attempt at finding glory in this idea for a sequel was made and I was
happy to view it.
Themistocles: Better we show them, we chose to die on our
feet, rather than live on our knees!
Aaron
is a writer/reviewer for WhySoBlu.com.
Follow him on Twitter @AaronsPS4.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
Comments
Post a Comment