‘Warm Bodies’, Slow Corpses, Fun Movie
Warm
Bodies: 3 ½ out of 5
R: I shouldn’t be so hard on myself. I mean, we’re all dead.
It would seem highly
unlikely that I would like a romantic comedy with a regular human girl and a hipster
zombie as the romantic leads that are supposed to fall in love, but here we
are. Based on description alone, this
seemed like a bad idea, but rather than dwell on being a sappy love story with
a catchy gimmick in the midst of audiences loving all things zombie and
paranormal teen romance novel-related, Warm
Bodies is actually an enjoyable, clever, and oddly sweet film. It works best when it deals with the ins and
outs of a zombie-infested world from the point-of-view of its zombie narrator,
but even if the romantic drama and stakes do not fully work, this film was
still able to make for a fun alternative to standard zombie fare, let alone
generic rom-coms.
Nicholas Hoult stars as
“R”, a zombie who cannot remember his actual name and spends the majority of
his day slowly walking around a zombie-infested airport, searching for meaning
in his life. The zombie apocalypse is
currently in full effect, but we spend the majority of our time learning about
how the undead are dealing with this world.
R’s world is flipped on its undead head when he spots a human searching
for supplies. This is Julie (Teresa
Palmer) who is seemingly going to be eaten by R, only to find that he wants to
save her and take her back to his home (an airplane full of random items R
collects, such as vinyl). Julie is understandably
confused, but soon learns that R is different, as he is changing for the
better. Soon, the two form a bond, which
R seems far more excited about, as he and Julie begin to actually have fun
together. More importantly, Julie’s interactions
with R seem to inspire the other zombies to change as well, which could
possibly lead to an end of the zombie epidemic altogether.
The film also stars Rob
Corddry as “M”, another zombie and R’s best friend; John Malkovich as Julie’s
stern father, who acts as one of the military leaders of the remaining human
population; Dave Franco as Perry, Julie’s human boyfriend; and Analeigh Tipton
as Nora, Julie’s best friend. Were you
to piece these characters and their names together, you may be able to further
understand how Warm Bodies has many
connections to Romeo and Juliet,
which is what Isaac Marion, writer of the original novel the film is based on,
had done intentionally.
I was really into the
world that this film sets up and could have actually enjoyed seeing more of
it. Given all the ideas introduced in
this film, I am sure more could have been done with just the zombie society
alone, but alas, this is a romantic comedy after all, and fortunately the film
found a way to make that quite enjoyable, even if it takes a certain kind of
audience to really believe in what they are seeing. In a post-Twilight
world, I can certainly see Warm Bodies
being heavily scrutinized for capitalizing off of being an attempt to do the
same sort of thing, except with zombies, but I would say that is unfair, as the
movie is actually quite clever and certainly not as self-serious about its
romantic struggle.
Julia: What are you?
There is a lot of humor
in this film, but never handled in a way that feels like parody. The film basically takes the concept and
world seriously and lets the characters deliver the humor based on the fact
that they are mostly zombies and do and say things that are humorous (darkly
humorous on many occasions). Allowing R
to have an internal narration is a great way to put us in the mind of an undead
corpse walking around and to consider what it is that someone like this would
think about. Director/Screenwriter
Jonathan Levine (50/50) does a good
job at presenting the film as a comedy where the punch lines come from what
these characters say and do, rather than going for the easier way out and
making a goofy comedy. It also helps
that he lends a sense of style to the look of the film overall. It may not be a high-budgeted film, but it
looks pretty good and has plenty of humor to dish out.
Now, I am very much a
person that believes in the rules of what a zombie is and how it should act,
but I have to say that this film allowed me to see another side of
zombies. This film allows zombies to
think, run occasionally, and even communicate with speech. The reason Warm Bodies is able to get away with having zombies do
unconventional activities is because it does a good job of setting up its world
and letting the viewers involve themselves in the lives of these zombie
characters, as opposed to seeing it from the other way around. Basically, I believed that R was capable of
these things, because I liked him, and the universe established supports the
idea that he could perform certain feats that are otherwise considered unheard
of in most zombie films. Warm Bodies may not be the first zombie
feature to diverge from the standard zombie formula, but it is a very likable
film that makes me not mind.
Nicholas Hoult does a
fine job here as R. I really enjoyed his
performance and the way he was able to pull off something as tricky as
delivering pathos in a character that eats humans to survive and brains to
dream. R is a very likable zombie, which
Hoult’s performance conveys quite well.
At the same time, Palmer is solid enough as the Juliet to his
Romeo. She is not really given a chance
to do a whole lot of challenging work, but she plays well off of Hoult. Rob Corddry’s M is a true scene stealer, as
he is literally the embodiment of a lot of deadpan humor. John Malkovich is basically wasted in this
film, but his presence is always fun, regardless. I also enjoyed Analeigh Tipton in this film,
which I found to be notable, given that I have only seen her in a few films,
but enjoy her presence in general.
The issues I had with Warm Bodies are fairly simple. The movie sets up a lot, but does not provide
a whole lot of payoff. The zombie
universe is a lot of fun to be in, but the film gets to the point of having an
action-themed third act, which is not all that effective. There is a villainous threat in this movie in
the form of “Boneys”, which are zombies way too far gone to have any sort of
human “spark” left inside of them. This
never goes anywhere beyond the idea of having something to fight against. Additionally, the idea of a zombie changing
for the better is something that could be quite interesting, but we are really
only given a Cliffnotes version of what that really amounts to. There are just little things, overall, which
hold me back from really appreciating the movie more, especially since the
romance went only so far, instead of having me completely on board with the
passion that the film had for these crazy kids getting together.
As a huge zombie film
fanatic, the idea of making a romantic comedy, with a zombie protagonist, was
already something that threw this film off my radar. Sure it is a neat and different idea, but I
am a stickler for a lot of the rules that come with the territory of a zombie
film. The best thing I can say about Warm Bodies is that it was able to make
me not care about that and instead let me enjoy the quirky universe that this
film was able to setup and deliver on.
Having a charismatic zombie lead also seems like an accomplishment unto
itself, so I commend this film for taking chances and proving to be
successful. I may love my classic zombie
films and I may already have a number one film that is a romantic comedy…with
zombies (Shaun of the Dead), but Warm Bodies is a lot of fun and charming
in an “eat my brains” sort of way, making it worthy of coming out around Valentine’s Day to provide for an
alternative option that is nonetheless sweet.
Perry: Whatever it is that you two have, it’s infecting the others.
Aaron
is a writer/reviewer for WhySoBlu.com. Follow him on Twitter @AaronsPS3.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
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